CMC Coverage — Classical Music Communications

Baruch Performing Arts Center

Schmopera - TALKING WITH SINGERS: NELSON EBO

Schmopera - TALKING WITH SINGERS: NELSON EBO

Angolan tenor Nelson Ebo's upcoming role is one that hits particularly close to home. Next month in Heartbeat Opera's new adaptation of Beethoven's Fidelio (May 3-13), Ebo sings Stan - or Florestan, in the original libretto - the black activist who is wrongfully incarcerated.

Schmopera - DON GIOVANNI: "STRENGTHENED BY REINTERPRETATION."

Schmopera - DON GIOVANNI: "STRENGTHENED BY REINTERPRETATION."

Heartbeat Opera Co-Music Director Daniel Schlosberg is ready for the company's fourth annual Spring Festival, where he'll unveil his new arrangement of Mozart's Don Giovanni. The composer and pianist has taken on operatic classics in past seasons, experimenting with percussion with Lucia di Lammermoor and adding jazz into Carmen; for this Don Giovanni, directed by Heartbeat Opera Co-Artistic Director Louisa Proske, he gets creative with the clarinet.

Schmopera - FIDELIO: STILL POLITICAL IN 2018

Schmopera - FIDELIO: STILL POLITICAL IN 2018

As Heartbeat Opera gears up for its fourth annual Spring Festival, Artistic Director Ethan Heard is in rehearsals for his poignant adaptation of Beethoven's only opera, Fidelio (May 3-13). Heard has written new English dialogue with Marcus Scott to bring the story of political prisoners into 2018; Heartbeat Opera's production features a primarily black cast, and a true "Prisoners' Chorus" of incarcerated members of 6 prison choirs across the Midwest.

Epoch Times reviews Jane Ira Bloom at BPAC

Epoch Times reviews Jane Ira Bloom at BPAC

Bloom thought of a jazz work based on the Dickinson’s (1830–1886) creations, in part, because poet played piano and was an improviser. For the Dickinson project, the poems Bloom selected were “those that got to me.” But she picked selections from the poems rather than using the complete poems.

Jazz Trail Interview with Jane Ira Bloom

Jazz Trail Interview with Jane Ira Bloom

Jazz soprano saxophonist Jane Ira Bloom speaks with Filipe Freitas of the Jazz Trail about her most recent album "Wild Lines: Improvising Emily Dickenson" and her upcoming performance at the Baruch Performing Arts Center.

Joel Quarrington in recital

Joel Quarrington in recital

Free recital features works by Bach, Schumann, Schubert, and Erich Korngold.

Jane Ira Bloom speaks to George Grella on the BrooklynRail podcast

Jane Ira Bloom speaks to George Grella on the BrooklynRail podcast

Jazz soprano saxophonist Jane Ira Bloom speaks with George Grella of the BrooklynRail podcast about her most recent album "Wild Lines: Improvising Emily Dickenson" and her upcoming performance at the Baruch Performing Arts Center.

April 18 at Baruch Performing Arts Center: Pianist-Composer Michael Brown celebrates Leonard Bernstein at 100

April 18 at Baruch Performing Arts Center: Pianist-Composer Michael Brown celebrates Leonard Bernstein at 100

One composer-performer celebrates another

Israeli Chamber Project reviewed by New York Classical Review

Israeli Chamber Project reviewed by New York Classical Review

The seven virtuosi of the Israeli Chamber Project started yesterday evening with the impossible, and continued with the inconceivable.

Israeli Chamber Project reviewed by ConcertoNet.com

Israeli Chamber Project reviewed by ConcertoNet.com

The seven virtuosi of the Israeli Chamber Project started yesterday evening with the impossible, and continued with the inconceivable.

Concerto Net concert review: 88 keys to delight

Concerto Net concert review: 88 keys to delight

It was an irresistible music, and nobody could resist it. They could resist that Second Rhapsody, though it was played with that same flair, the same instinctual rhythm which the ebullient Ms. Buechner has in excess.