Daniel Thomas Davis’ new chamber opera, Six.Twenty.Outrageous: Three Gertrude Stein Plays in the Shape of an Opera, is a work of extraordinary accomplishment with moments of wondrousness and swaths of bafflement.
Victoria Bond's CUTTING EDGE CONCERTS New Music Festival 21st Season
Danish ensemble Trio Vitruvi perform its Carnegie Hall Debut
Bangor Daily News review: Orli Shaham with Bangor Symphony
Concert pianist Orli Shaham played Sunday as if Bela Bartok had written the Piano Concerto No. 3 in E major for her instead of his wife. Shaham, renowned on four continents for her technique, passionately and exuberantly embraced the complex composition for the Bangor Symphony Orchestra’s Winter Dreams concert.
The Ellsworth American review: Orli Shaham with Bangor Symphony
[Bartok's Third Piano Concerto] was sensitively performed by Orli Shaham with poetic grace or rhythmic forcefulness, as the music demanded. The performance displayed perfect rapport between soloist and orchestra, bringing out the exceptional lyricism of the first two movements and the dynamic intensity of the finale.
Epoch Times: A Collective of Chamber Musicians Formed by Friends
Cleveland Classical: Violinist Tessa Lark awarded Borletti-Buitoni Trust Fellowship
Bangor Symphony Orchestra Interview with Orli Shaham
On Sunday, February 25th, pianist Orli Shaham will join the Bangor Symphony Orchestra to perform Bartok’s Piano Concerto No. 3 at the Collins Center for the Arts. The program will also feature Tchaikovsky’s Symphony No. 1 and Smetana’s Overture to The Bartered Bride. Ms. Shaham is an accomplished artist, with the New York Times calling her a “brilliant pianist,” and in anticipation of Sunday’s performance, we spoke with her about what audiences can expect.
Violinist Tessa Lark is awarded Borletti-Buitoni Trust Fellowship
"Family Secrets" review on Classical Voice North Carolina
Musical America reviews Davis' SIX.TWENTY.OUTRAGEOUS
WQXR featured Valentines: Orli Shaham and David Robertson
Orli Shaham and the Orlando Phil search for the joy of communion in Bernstein's 'Age of Anxiety'
Christopher Houlihan interview with Ross Amico of WWFM
OperaWire Q & A: Composer Daniel Thomas Davis on Creating ‘Family Secrets: Kith and Kin’ With 7 Librettists
Premiere Of A Multicultural Composition Brings 'Bliss' To Rockford Symphony
Iranian-Canadian-American composer Kamyar Mohajer says he draws on his multicultural background for inspiration. An example of that blend of traditions will be premiered at this weekend's concert by the Rockford Symphony Orchestra. But even as he balances those influences, he also has to balance composing with a career in Silicon Valley.
Washington Post: At the Phillips Collection, 2 young performers make for a dynamic combination
Orli Shaham artist insights: Bernstein Symphony No.2 "Age of Anxiety"
KRCB reviews Orli Shaham's Mozart No. 21
Her reputation as a Mozart specialist was on display as her crystaline and lucid touch drew a very Classical sound from the modern concert grand onstage. Mozart requires enormous precision, but that detailed playing shouldn't be at the expense of warmth. Shaham has all those bases covered and earned an enthusiastic standing ovation from the crowd.