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I Care if You Listen: Reviews SIX.TWENTY.OUTRAGEOUS

I Care if You Listen: Reviews SIX.TWENTY.OUTRAGEOUS

Daniel Thomas Davis’ new chamber opera, Six.Twenty.Outrageous: Three Gertrude Stein Plays in the Shape of an Opera, is a work of extraordinary accomplishment with moments of wondrousness and swaths of bafflement.

Victoria Bond's CUTTING EDGE CONCERTS New Music Festival 21st Season

Victoria Bond's CUTTING EDGE CONCERTS New Music Festival 21st Season

The 2018 Festival features acclaimed ensembles Sybarite5, Cygnus Ensemble, HubNew Music, and the world premiere of an opera by Eric Salzman.

Danish ensemble Trio Vitruvi perform its Carnegie Hall Debut

Danish ensemble Trio Vitruvi perform its Carnegie Hall Debut

Program includes works by Schubert, Shostakovich, and Dvořák.
Also in April, Trio Vitruvi releases all-Schubert recording on Bridge Records.

Bangor Daily News review: Orli Shaham with Bangor Symphony

Bangor Daily News review: Orli Shaham with Bangor Symphony

Concert pianist Orli Shaham played Sunday as if Bela Bartok had written the Piano Concerto No. 3 in E major for her instead of his wife. Shaham, renowned on four continents for her technique, passionately and exuberantly embraced the complex composition for the Bangor Symphony Orchestra’s Winter Dreams concert.

The Ellsworth American review: Orli Shaham with Bangor Symphony

The Ellsworth American review: Orli Shaham with Bangor Symphony

[Bartok's Third Piano Concerto] was sensitively performed by Orli Shaham with poetic grace or rhythmic forcefulness, as the music demanded. The performance displayed perfect rapport between soloist and orchestra, bringing out the exceptional lyricism of the first two movements and the dynamic intensity of the finale.

Epoch Times: A Collective of Chamber Musicians Formed by Friends

Epoch Times: A Collective of Chamber Musicians Formed by Friends

“I don’t think you can share the stage with people whom you don’t respect on a musical level,” Fleming said. “I would rather play with someone who I have deep musical respect for, and maybe don’t like personally, than to play with someone who I love to death, but don’t have respect for musically.”

Cleveland Classical: Violinist Tessa Lark awarded Borletti-Buitoni Trust Fellowship

Cleveland Classical: Violinist Tessa Lark awarded Borletti-Buitoni Trust Fellowship

On Tuesday, February 20, the Borletti-Buitoni Trust announced that violinist Tessa Lark is a 2018 recipient of the coveted Borletti-Buitoni Fellowship. Lark is the only American among the young musicians from around the world who join BBT’s roster of Award and Fellowship winners.

Bangor Symphony Orchestra Interview with Orli Shaham

Bangor Symphony Orchestra Interview with Orli Shaham

On Sunday, February 25th, pianist Orli Shaham will join the Bangor Symphony Orchestra to perform Bartok’s Piano Concerto No. 3 at the Collins Center for the Arts. The program will also feature Tchaikovsky’s Symphony No. 1 and Smetana’s Overture to The Bartered Bride. Ms. Shaham is an accomplished artist, with the New York Times calling her a “brilliant pianist,” and in anticipation of Sunday’s performance, we spoke with her about what audiences can expect.

Violinist Tessa Lark is awarded Borletti-Buitoni Trust Fellowship

Violinist Tessa Lark is awarded Borletti-Buitoni Trust Fellowship

The Borletti-Buitoni Trust announced today that violinist Tessa Lark is a recipient of the coveted Borletti-Buitoni 2018 Fellowship. The BBT Fellowship puts Ms. Lark in the elite company of prior BBT recipients including Jonathan Biss, Martin Fröst, Sol Gabetta and Augustin Hadelich. 

"Family Secrets" review on Classical Voice North Carolina

"Family Secrets" review on Classical Voice North Carolina

The music, composed by Davis, offers clever lyricism, dramatic accompaniment, and unification of all elements of the production. Davis is riding an outstanding career with commissions and projects keeping him on the run.

Musical America reviews Davis' SIX.TWENTY.OUTRAGEOUS

Musical America reviews Davis' SIX.TWENTY.OUTRAGEOUS

Davis’s score is eclectic in design. Like Thomson, he has an affinity for early American hymnody and shape-note spirituals, materials he affectingly evoked. Repetition is omnipresent in Frank’s libretto, and Davis’s responses to it were varied.

WQXR featured Valentines: Orli Shaham and David Robertson

WQXR featured Valentines: Orli Shaham and David Robertson

This Valentine's Day WQXR asked pianist Orli Shaham and conductor David Robertson about the joys and challenges of sharing their profession and their life — plus, top tips for long-lasting love.

Orli Shaham and the Orlando Phil search for the joy of communion in Bernstein's 'Age of Anxiety'

Orli Shaham and the Orlando Phil search for the joy of communion in Bernstein's 'Age of Anxiety'

"We all feel we have something failing us in humanity, but at the same time we experience joy and connection with other human beings," says pianist Orli Shaham. "In this way the piece is timeless."

Christopher Houlihan interview with Ross Amico of WWFM

Christopher Houlihan interview with Ross Amico of WWFM

Christopher Houlihan spoke with Ross Amico of WWFM in advance of Sunday’s recital.

OperaWire Q & A: Composer Daniel Thomas Davis on Creating ‘Family Secrets: Kith and Kin’ With 7 Librettists

OperaWire Q & A: Composer Daniel Thomas Davis on Creating ‘Family Secrets: Kith and Kin’ With 7 Librettists

The year 2018 is shaping up to be a major one for composer Daniel Thomas Davis. On Feb. 15 and 16, he will witness the staged premiere of his 2015 opera “Family Secrets: Kith and Kin” and then, just a few weeks later, his opera “Six. Twenty. Outrageous,” will also get its world premiere.

Premiere Of A Multicultural Composition Brings 'Bliss' To Rockford Symphony

Premiere Of A Multicultural Composition Brings 'Bliss' To Rockford Symphony

Iranian-Canadian-American composer Kamyar Mohajer says he draws on his multicultural background for inspiration. An example of that blend of traditions will be premiered at this weekend's concert by the Rockford Symphony Orchestra. But even as he balances those influences, he also has to balance composing with a career in Silicon Valley.

Washington Post: At the Phillips Collection, 2 young performers make for a dynamic combination

Washington Post: At the Phillips Collection, 2 young performers make for a dynamic combination

The Phillips Collection presented two dynamic musicians of the millennial generation, violinist Tessa Lark and pianist Roman Rabinovich, in an excellent recital Sunday at the Cosmos Club. Both have won major competitions as performers, and both offered their own compositions on this program.

Orli Shaham artist insights: Bernstein Symphony No.2 "Age of Anxiety"

Orli Shaham artist insights: Bernstein Symphony No.2 "Age of Anxiety"

Bernstein's Age of Anxiety is a symphony, but it is also a piano concerto, which makes it quite interesting for me as the soloist.

KRCB reviews Orli Shaham's Mozart No. 21

KRCB reviews Orli Shaham's Mozart No. 21

Her reputation as a Mozart specialist was on display as her crystaline and lucid touch drew a very Classical sound from the modern concert grand onstage. Mozart requires enormous precision, but that detailed playing shouldn't be at the expense of warmth. Shaham has all those bases covered and earned an enthusiastic standing ovation from the crowd.

KDFC interviews Orli Shaham: Sparkling Mozart in Santa Rosa

KDFC interviews Orli Shaham: Sparkling Mozart in Santa Rosa

"There’s something about Mozart that’s really formational and formative. The music is so cleanly written that all the basic elements that you need to understand for anything else are already in his notes.”